My Life As A Movie
Join Michelle, Helen and Tracy each week as we review a movie from a 'human' point of view. We delve into what they reveal to us about ourselves, others and the world we live in. We talk about how movies and the power of storytelling can be used as a tool for greater self awareness, growth and even change.
Episodes you may like:
Tracy and Jacob review David Fincher's 2020 feature film, Mank, discussing the positives and negatives of its subtle storytelling style. We share our take on the production design, costuming, and music, and how they build the world of 1930s Hollywood. We also comment on the psychology of the characters represented, and the use of the Johari window in explaining the relationships between Mank and his companions. We then also discuss whether or not one should have to use the internet to gain context on a film before watching it.
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Ann, Michelle and Paromita return to review black comedy thriller, written and directed by Emerald Fennell and starring Carey Mulligan. Ann raves about the musical score while Paromita isn't sold on the lead character's motivations. We debate whether Carey Mulligan was right for the role, digging into the controversial comments made by a journalist. Was she hot enough? Ann points out the topic of Power in the movie and Paromita thinks the movie trivialises the realities of assault. We talk about the role of cinema in shedding light on important and serious topics. We discuss about the relationship between choice, responsibility and consent. Paromita shares her experiences teaching her sons about consent.
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Helen and Michelle return to review this semi-biographical, critically acclaimed drama film. We share our opinion whether the HFPA was right to include it in the foreign language film category for the Golden Globe nominations, despite being an American production. We reflect on our own unique experiences as children of migrant parents, comparing it to the story of the Korean-American family depicted in the film. We comment on the differences between our dreams and those of our migrant parents and how we balance our cultural heritage with calling Australia home. We explore the symbolic meaning behind the movie's title, for the director Lee Isaac Chung but also to us personally.
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