My Life As A Movie
Join Michelle, Helen and Tracy each week as we review a movie from a 'human' point of view. We delve into what they reveal to us about ourselves, others and the world we live in. We talk about how movies and the power of storytelling can be used as a tool for greater self awareness, growth and even change.
Episodes you may like:
Helen and Jacob discuss Ryan Reynold's latest action/comedy film: Free Guy. Shawn Levy takes the director's seat and delves into the world of MMORPGs with this cinematic perspective of the life of an online gamer. Reynolds plays the obliviously delighted Non-Playable Character - Guy - who spends the film searching for love and purpose in a world designed to prohibit him from having either. As the two talk about the film, they realise just how much deeper the themes and messages of the film go. The two come to a revelation that this seemingly one-note comedy film packs just a bit more of a philosophical punch. Nevertheless, both Helen and Jacob reveal what they found heartfelt, hilarious, and hard to appreciate about the newest blockbuster attempting to tackle the world of gaming.
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In this pilot episode, Helen, Michelle and Tracy dive into Tom Hank’s latest release, western-drama film ‘News of the World.’ They share their views on the on-screen chemistry between Hanks and child-actor newcomer, Helena Zengel. Helen confesses she’s not an outdoorsy person and Tracy reveals how the animal scenes in the film affected her. Tracy speaks on the power of non-verbal communication, in acting and in life. The ladies discuss debate whether the movie was too slow and Michelle laments on the lack of diversity in period films. They discuss Hank’s ‘good guy’ image and the depth of his characters. Michelle imagines a world where different cultures come together by communicating effectively. Helen raises how the film exposes problems with the news today. They share what ‘home’ and ‘family’ really mean.
Tracy and Jacob review David Fincher's 2020 feature film, Mank, discussing the positives and negatives of its subtle storytelling style. We share our take on the production design, costuming, and music, and how they build the world of 1930s Hollywood. We also comment on the psychology of the characters represented, and the use of the Johari window in explaining the relationships between Mank and his companions. We then also discuss whether or not one should have to use the internet to gain context on a film before watching it.
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