My Life As A Movie
Join Michelle, Helen and Tracy each week as we review a movie from a 'human' point of view. We delve into what they reveal to us about ourselves, others and the world we live in. We talk about how movies and the power of storytelling can be used as a tool for greater self awareness, growth and even change.
Episodes you may like:
Ann, Michelle and Paromita return to review black comedy thriller, written and directed by Emerald Fennell and starring Carey Mulligan. Ann raves about the musical score while Paromita isn't sold on the lead character's motivations. We debate whether Carey Mulligan was right for the role, digging into the controversial comments made by a journalist. Was she hot enough? Ann points out the topic of Power in the movie and Paromita thinks the movie trivialises the realities of assault. We talk about the role of cinema in shedding light on important and serious topics. We discuss about the relationship between choice, responsibility and consent. Paromita shares her experiences teaching her sons about consent.
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Helen, Jacob and Michelle recap the 93rd Academy Awards, sharing their opinion on this year’s new and ‘socially-distanced’ production format this year. We share our take on the Anthony Hopkins/Chadwick Boseman controversy, weighing-in on whether Boseman should have taken the award for Best Actor and ‘that ending.’ We highlight our favourite moments from the show and comment on this year’s winners and ‘losers’. We speculate on why this year was the least watched Oscars and what it would take to make the Oscars more relevant going forward.
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Helen and Michelle return to review this semi-biographical, critically acclaimed drama film. We share our opinion whether the HFPA was right to include it in the foreign language film category for the Golden Globe nominations, despite being an American production. We reflect on our own unique experiences as children of migrant parents, comparing it to the story of the Korean-American family depicted in the film. We comment on the differences between our dreams and those of our migrant parents and how we balance our cultural heritage with calling Australia home. We explore the symbolic meaning behind the movie's title, for the director Lee Isaac Chung but also to us personally.
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